The team over at Pixelmator has announced the release of their much-awaited 1.3 version, which they've titled Tempo. TUAW did a preview of this version a while ago -- it features lots of back-end updates, making the app itself much, much faster, especially when handling large images. And it brings to the table a few things Pixelmator has promised since the app first came out, including the Magic Eraser functionality, and a few magic touches elsewhere (you can use almost any of the tools in the "magic" way, by clicking and then dragging until the program automatically fills in your selection).

There are also updates to the Hue and Saturation, Colorize, and Replace Color tools, and there's an auto-hide feature (that can be turned off) that clears out some of the clutter when you're working with important tools. As a Pixelmator user, I really like the update -- I'm not sure if it's quite enough to pull you into the app if you aren't already using it (and as we've said before, this is not an app for power Photoshop users), but if you're looking for a relatively light, very stylistic photo editor, it's definitely worth a trial again. You can pick one up over on their site.

Gallery: Pixelmator 1.3 "Tempo" beta preview

Colors is a palette generator and editor for the iPhone and iPod touch which updated yesterday to version 1.1 with new features which make it a truly useful tool for working with those hues, tints and shades we come across every day.

Colors is primarily directed at web designers and those working with RGB and Hex colors. It allows conversion between RGB, HSB and grayscale, as well as integer and floating point scales for other screen applications. As of version 1.1, Colors can handle saving multiple palettes, each containing up to 12 colors and saved with individual labels. Manipulating palettes is as easy as dragging sliders and pulling swatches into the color wells at the bottom of the screen. Palettes can be emailed to yourself (or anyone else, with multiple recipients possible) in Photoshop and Illustrator palette formats, accompanied by a bitmap image and a text file of RGB and Hex numbers for each color.

Perhaps the slickest new feature in version 1.1 is the ability to work with photos, either from your iPhone or iPod touch's library, or directly from the iPhone camera. Colors automatically generates palettes based on the visible portion of the image, regenerating whenever the image is zoomed or panned. I found that Colors did a great job of pulling the essential tones from the image, although the palettes tend to default to somewhat subdued colors even when the source image is saturated and vibrant. That's easily fixed with a little post-processing on the palette, using the saturation and brightness sliders in the HSB tab of the editor.

Colors 1.1 is available at the App Store for $2.99USD. If you're in the business of colors, at least those in the RGB gamut, it's worth checking out.

Like many of you, I suspect, I still have PC-using relatives that have steadfastly refused to come over to the fairer side of life (and reduce my tech support burden). One of the biggest hold-ups has been their Windows-based software investment, particularly in Adobe applications. Well, with the release of CS4 it's time for upgrades, and I have some new ammunition in the battle to get my folks switched over: Adobe's competitive cross-upgrades.

Adobe allows registered users of their Creative Suite applications to switch platforms at the standard upgrade price (e.g. cross-upgrading from Windows CS3 to Mac CS4 is the same price as a Windows CS3 to Windows CS4 upgrade). So if somebody you know is getting ready to plunk down the cash for the Windows CS4 upgrade anyway, now would be a great time to suggest that they make a complete upgrade and switch to Mac at the same time.

Adobe doesn't seem to advertise the cross-upgrades that much and they're only available when purchasing the upgrades over the phone (800-833-6687). In addition the previous Windows versions must be destroyed and certified with a Letter of Software Destruction (pdf link). Nonetheless, if you have some Windows based hold-outs now would be a great time to get them on board the Mac train.

In a QuickTime screencast, Adobe's Russell Brown demonstrates content-aware scaling, a feature of Photoshop CS4, due to be released this month.

A lower-resolution YouTube demo from Lynda.com is available here, if you don't want to download a huge QuickTime movie. The content is different, but you'll get the idea.

Adobe licensed an algorithm that senses "dead" areas in photos, and resizes the image to avoid squashing or stretching every object.

In the video, Brown demonstrates resizing an image of four golfers, interactively removing space between and around the golfers, but leaving the golfers' proportions correct. He also demonstrates resizing a Volkswagen bus, making it a more "economical" size, but automatically keeping the wheels round.

For those looking for a compelling reason to upgrade to Photoshop CS4, this might be it. If not, what is? Let us know by leaving a comment.

[Via Swissmiss and Michael Sippey.]

Yesterday, I showed you how to simulate a photograph taken with a tilt-shift lens by using Photoshop CS3's Lens Blur tool. Today, we'll do something a bit more practical: clipping out an object that's not entirely in focus.

Clipping out objects that are out of focus can be something of a chore: either you have a hard, dark edge somewhere you don't want, or you have to settle for feathering the whole thing, leaving edges that should be sharp a little too blurry.

We'll be clipping out this old book, and dropping it on a new surface.

We all know Photoshop is a powerful tool. In two tutorials, I'll take you through how to use Photoshop CS3's Lens Blur filter to do two things: today, we'll make images look like they were shot with a tilt-shift lens. Tomorrow, we'll create clipping masks for objects that aren't entirely in focus.

Lens Blur gives the effect of a narrower depth of field, so some areas of your image stay in focus, and other areas are blurred. Combined with an alpha channel that defines areas of blurriness, you have a powerful way to create masks and alter photos.

The easiest thing to do is show you first how Lens Blur works in pictures.

Our friends over at the Iconfactory have a devil of a time protecting one of their more popular icons: David Lanham's blue bird that adorns their Twitterrific software.

Turns out there are plenty of people that think the icon is free for the taking, and have used it in all kinds of projects and web sites.

Of course, this means more work for Ged Maheux, tracking down each person and letting them know that, no, they can't use the icon, because it's for a piece of commercial software.

The good news is that there are, however, plenty of design alternatives to the Iconfactory's copyrighted artwork. Lots of friendly, smiling flyers have come out of the woodwork/birdhouse -- and they're free to use for your website or other non-commercial project. Read on for a rhapsody in bluebirds.

It's sad how much I want this whole tablet rumor to be true. So it's always a delightful surprise to find the latest Photoshopped fake in our inbox. Above is "Max Vinegar"'s contribution to the cause. I love the way it's artistically blurred, with just the right ceiling reflections and how the new-fashioned nano gives it a frisson of verisimilitude.

Got a better fauxtotablet? Drop a link into the comments and I'll put up a gallery of 'em.

Just when you thought you just bought (or just finished paying for) Adobe Creative Suite 3, get ready to take out another mortgage for Adobe CS4, which will be publicly unveiled on September 23. AppleInsider conjectures the software will drop in October.

Adobe will be delivering several webcasts that day to showcase the new software to the public. You can register here to participate in the webcasts.

Improvements to Photoshop and Flash are expected to headline the event. Adobe did not release any details about how the software will be bundled, nor any pricing information. Full versions of Adobe CS3 can cost as much as $2,500 for new users, and $160 for those who want to upgrade.

Adobe released preview editions of Dreamweaver, Fireworks and Soundbooth in late May.

[Via MacFreaks and cnet.]

A new tool for designers (or anyone who needs client input on proofs) is premiering today. ProofHQ is a web-based application for uploading, annotating, commenting and approving proofs with controlled access for multiple clients. It's not Mac-specific, but it's worth mentioning considering the large portion of Mac users (and TUAW readers) who fit into the creative/design category. It doesn't work on the iPhone, (why would you want to upload and proof on an iPhone, really?), but it's fully Safari-compatible and Mac-friendly.

Using ProofHQ's upload page or the Java-based Uploadr, you can send PDF, PSD, GIF, TIFF, JPG, BMP, Word and Powerpoint files and have them converted into Flash-based proofs at full quality. There's currently no support for Pages or Keynote documents, but you can export PDF versions and upload those. PDF files can be multi-page, and vector support is on the way. Comments and various levels of approval can be added from the viewer. You receive a public url, private url and embed code. The embed code makes it easy to incorporate ProofHQ into other collaboration systems such as Basecamp or Central Desktop. There's also direct API integration with Basecamp. New clients who access the proof can subscribe to it without signing up for ProofHQ, making it a less confusing system for clients than some of the other available options.

14 day free trials of all plans are available which allow full access to features. Plans range from the free personal account and the $29USD/month Solo plan up to the enterprise-level Corporate plan at $499USD/month.

[via Download Squad]

As the economy makes with the poop, we can all use a little bit of extra help finding work. Whether it's side projects, or full-time employment, there are plenty of jobs available for system administrators, programmers, and creative people -- all who use a Mac.

I've assembled a collection of sites and job boards that cater to those with a technical and creative skill set -- people who probably use a Mac. This is by no means a complete list, but should help anyone starting to look for work.

Comments consisting of "how could you dare possibly omit [insert name of board here]" will be met with resigned sighs from me, but cheers from our readers. So feel free to point people in the direction of boards that you've used or trusted before in comments.

Follow me across the jump for the list.